So it's really not winter anymore. Like one and a half months, we're back on daylight savings sort of not winter. I barely posted over winter, and although I missed this little online space a whole bunch, I'm very glad I took a break. In fact, my sporadic posting may even continue past this post depending on if I can get some of my offline stuff sorted and return so some semblance of a "regular" routine.
This is going to sound all sorts of silly, but there's been a little part of me that's 1) been terrified of writing on/getting back into the swing of this blog and 2) terrified of tackling this blog post (there are a lot of photos, and if you've been reading for a while, I like to alternate between photos and paragraph of words. Lots of photos means lots of words). Neither of these things make sense, but it's how I've been feeling (maybe it's got something to do with the fact I've let my social media slip. It's kind of like starting again in a way)
So many things have happened since I took these photos back in August. I can remember several occasions where I thought "I'll have to blog about that" but every "really important" blog post Idea I've had has gone by the wayside. I've also stopped keeping up with the fashionblogosphere and my personal public social media. It's been a really interesting priority shift. I'm not sure if I'm completely on board with it, but it's happened, and whilst more important music things are happening I suppose I'll let this shift continue.
This suspender skirt is a "newish" piece of mine. The day I took these photos was the day after I sewed it. It's definitely my most beautifully sewn piece, despite my sewing practice being almost non existent.
Something I have done a lot of whilst not blogging is listening to/watching live music, specifically Jazz fusion type stuff (It's also something positive I can share/write about, and totally not about blog/feeling related meta garbage like the rest of this post).
I'll start by talking about a band which I have talked about before . They're called Quantum Milkshake. After playing a gig with them two years ago, listening to their only recording approximately a zillion times, and frothing over the single they released, they FINALLY completed their album, and released it to the world ( I actually briefly mentioned this release back in June when I had yet to properly listen to it/purchase it. I have now done both of those things, and golly gosh it's everything I thought it would be and more ).
There is so much going on in this meticulously constructed album. There are grooves, there are throw backs to other composition era's, there's jazz, there are cross rhythms and time signature changes, there are complexly composed and intricate layering, there's flow from track to track, and brilliant performances from musicians across the board. I simply do not have the words to describe just how great this release is. You'll just have to give it a listen.
Now the reason I started this small list of jazz fusion type music you should probably listen to with Quantum Milkshake is because there's this other equally brilliant band that shares musicians with Quantum Milkshake (Namely their flautist (who founded the band with their drummer) and trumpeter).
Bella Wolf takes influences from all over the place (but more specifically Latin, Pop, Rock and Groove Based Jazz). I was absolutely stoked when Erica contacted me with a copy of the album. Flute, specifically flute played by flautists is not the most represented in Jazz, and Erica plays some of the best Jazz flute I've ever heard. Again, this album is meticulously crafted with intricate rhythms, grooves, and layers. I particularly love the (what I presume to be) improvised solos throughout the album. (in conclusion, this album IS SO GOOD. Unfortunately I don't think it's been released on bandcamp (You can get it on itunes tho.), BUT here's a teaser for the album, and their youtube page)
The last band I have to mention this evening is a band called Mr Ott. I saw them at 505 last month and have basically been vamping their album ever since. They're just about the funkiest band ever, and manage to sit right on a fine line I like to call "completely serious music that completely takes the piss at the same time". The bass lines are funky, the performance is tight, the mix is lush, and the compositions are tight, and intricate with crazy solos interspersed. Seriously, JUST GO LISTEN TO IT YO!